For designing and editing I mostly use a combination of a Multiband Transient Designer, Waves Vitamin and iZotope’s Final Mix to give them that extra smack, crack and punch. There are so many possibilities, so experiment away.įor editing I am currently using iZotope RX5 Advanced and Nuendo. Squeezing tomatoes makes awesome blood-spurting-wounds-or-arteries-sounds. canned tomatoes on that wet towel or wood or concrete ground. Dripping blood works great if you softly pour water or e.g. Punching it works great as basic stabbing or brutal punching sound. Using a wet towel dropping it to the ground is very good for body part drops. Also remember to make some smacking and slurping sounds. Just play with it.īiting and chewing these and other foods like apples, cereals or pudding is also great for flesh-biting and gut-eating zombies or monsters. Cutting through the pulp with a knife is great for flesh slices (combined with the ‘Ching’-sound of a knife). Playing with the ‘guts’ of the melon by grabbing, whirling and punching right in it for really disgusting splattering sounds. The number one go-to fruit for gory sound effects is the watermelon there are so many great sounds hidden in it. Dropping a watermelon from a ladder to the ground that it explodes is great for… well… exploding heads and bodies. You can crunch, cut and rip the peel apart which is great for dismemberment and ‘body-opening’. For all that splattering, blood dripping and -spurting sounds we’ll stay in the realm of food. This is perfect for crushing rib-cage sounds or any kind of dismemberment.Ĭarrots folded in a piece of leather make awesome ‘bone-snapping-under-the-skin’ sounds – and as sweeteners crunching e.g. When breaking or twisting several sticks or leaves at once it gets really brutal. Single leaves or sticks make great bone-snapping sounds when broken fast. For this I’d dhighly recommend Chinese cabbage or celery. You want to use something crunchy and snapping. These tools mostly are vegetables and other kinds of food. There are many ‘standard tools” for blood soaking, bone cracking sound fx. It’s not as if there weren’t many great sounding, positively disgusting Gore Sound Effects libraries but it’s so much fun that I would do it just for fun in my free time. I think every sound designer should do his own gore and splatter sound fx at least once in his/her career. Here’s Saro with his tips for horror sound effects creation: Gore sound effects And in this special A Sound Effect guide, he shares his tips on how to make those horrific sounds. How do you create your own horror and gore sound effects? Saro Sahihi from SoundBits has a lot of experience with that, having done both a full-on gore sound library, as well as some SFX libraries with really creepy, ghostly sounds and shocking transitions.
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